ProdigalHorn
10,000+ Posts
I got an email from the Public Theater today, defending its decision to recast Julius Caesar as Donald Trump, and have him killed by minorities in the final scene. They lost several sponsors - much as they would have if they had done the play four years ago and cast him as Barak Obama.
A NOTE ABOUT JULIUS CAESAR AT THE DELACORTE
The Public Theater stands completely behind our production of Julius Caesar. We understand and respect the right of our sponsors and supporters to allocate their funding in line with their own values. We recognize that our interpretation of the play has provoked heated discussion; audiences, sponsors and supporters have expressed varying viewpoints and opinions.
Such discussion is exactly the goal of our civically-engaged theater; this discourse is the basis of a healthy democracy. Our production of Julius Caesar in no way advocates violence towards anyone. Shakespeare's play, and our production, make the opposite point: those who attempt to defend democracy by undemocratic means pay a terrible price and destroy the very thing they are fighting to save. For over 400 years, Shakespeare’s play has told this story and we are proud to be telling it again in Central Park.
I certainly believe that they did not intend to encourage violence against anyone, any more than Kathy Griffin would have really chopped Trump's head off with an ax and have her picture taken with it. And I particularly agree with the following statement:
"Shakespeare's play, and our production, make the opposite point: those who attempt to defend democracy by undemocratic means pay a terrible price and destroy the very thing they are fighting to save."
While I'm not sure that having Donald Trump killed by people of color is necessarily the opposite of promoting violence, I think it's fantastic that after eight years of remaining silent through the rush of executive orders, unscrupulous surveillance, extortion-based lawsuits against corporations as a means of funding leftist activist groups, stacking courts with judges intent on pushing a political agenda rather than going through the constitutional process of legislation (which I believe is what the Public Theater terms "democracy"), that the Public Theater has finally awakened to its responsibility to defend and promote the democratic process against a president intent on pushing his own agenda against the will of the people.
Kudos to the Public Theater. My faith in the Arts has been restored.
A NOTE ABOUT JULIUS CAESAR AT THE DELACORTE
The Public Theater stands completely behind our production of Julius Caesar. We understand and respect the right of our sponsors and supporters to allocate their funding in line with their own values. We recognize that our interpretation of the play has provoked heated discussion; audiences, sponsors and supporters have expressed varying viewpoints and opinions.
Such discussion is exactly the goal of our civically-engaged theater; this discourse is the basis of a healthy democracy. Our production of Julius Caesar in no way advocates violence towards anyone. Shakespeare's play, and our production, make the opposite point: those who attempt to defend democracy by undemocratic means pay a terrible price and destroy the very thing they are fighting to save. For over 400 years, Shakespeare’s play has told this story and we are proud to be telling it again in Central Park.
I certainly believe that they did not intend to encourage violence against anyone, any more than Kathy Griffin would have really chopped Trump's head off with an ax and have her picture taken with it. And I particularly agree with the following statement:
"Shakespeare's play, and our production, make the opposite point: those who attempt to defend democracy by undemocratic means pay a terrible price and destroy the very thing they are fighting to save."
While I'm not sure that having Donald Trump killed by people of color is necessarily the opposite of promoting violence, I think it's fantastic that after eight years of remaining silent through the rush of executive orders, unscrupulous surveillance, extortion-based lawsuits against corporations as a means of funding leftist activist groups, stacking courts with judges intent on pushing a political agenda rather than going through the constitutional process of legislation (which I believe is what the Public Theater terms "democracy"), that the Public Theater has finally awakened to its responsibility to defend and promote the democratic process against a president intent on pushing his own agenda against the will of the people.
Kudos to the Public Theater. My faith in the Arts has been restored.